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But it is not all. We have the novel. In his diaries from his time in prison, published at the same time as The Unseen, Antonio Negri cites Kundera’s fear that ‘our prison records will be the only things left of us.’ They are not. What is hopeful is not the conclusion of Balestrini’s novel, but the existence of the novel itself. Its protagonists have not been reduced simply to their records, but come to us in a living and pungent voice. It is unstintingly real, and poses devastating questions, questions which are ever more important to answer today: how to survive in a way that’s worth surviving? (More...)

Survival: on Nanni Balestrini.

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